Login

Who Owns Copyright On Tweets?

 

I’ve been wading through trying to make sense of this question.
 
My main query is around attribution and republishing.
 
 
Can you take my tweets and publish them in a book or article without my attribution?
 
Can you take my images and put them on your website or materials without attribution?
 
 
 
Most bloggers head back to the Twitter terms and conditions and pull out this phrase:
 
We claim no intellectual property rights over the material you provide to the Twitter service. Your profile and materials uploaded remain yours. You can remove your profile at any time by deleting your account. This will also remove any text and images you have stored in the system.
 
 
 
From this, the writer’s claim that therefore, you as the author own your content and therefore copyright.
 
It doesn’t actually say that. It says that Twitter doesn’t own it. What needs to be proven if whether or not the content is copywritable in the first place.
 
 
To my limited knowledge, this hasn’t been tested in law yet (anywhere in the world) so it’s all a bit guess-workery (yes that is a real word).
 
So the main question becomes:
 
Is there such as thing as a copywritable tweet?
 
 
The legals seems to think that conceptually, there is such a thing as a copywritable tweet. Again, all yet to be proven.
 
Copyright attorney Brock Shinen has written an excellent post that goes further:
 
 
 
Twitter can’t tell you whether or not you create or own a copyright – it doesn’t have the legal ability to do so. So if you own any copyrights, it’s not because of Twitter not owning them, it’s because the law provides for ownership of them which initially vests with you, the author.
 
 
 
Hmm? So where to from here?
 
The Twitter terms of service also state:
 
Twitter also […] encourages users to contribute their creations to the public domain or consider progressive licensing terms
 
 
 
So I did today. I think? With http://www.tweetcc.com/
 
 
You can send a message to @tweetcc via Twitter including the words  "I license tweets under CC Attribution Non-Commercial http://icnhz.com/cc-by-nc " ( or whatever progressive licensing terms you choose).
 
I've gone for attribution, non-commercial. So basically people can share and remix freely, attribute and if it's commercial I want to know about it.
 
Done. Whether it has any legal legs I have no idea. But it’s interesting to start thinking about.
 
Expect to see a lot more discussion on this on this one and maybe a few court cases as the attention economy scrambles for ideas.
 
 
Further references:
 
Original Mark Cuban post  "Are tweets copyright?" post
 
Comments on Mark Cuban: Emerging Strategies blog
 
World Intellectual Property Organization "Are Tweets Protected" 

Good slideshare preso from SxSWi 2010 "Can you copyright a tweet?"
 
Twitter Terms of Service http://twitter.com/tos
 
Pogue, D. "The World According To Twitter"  (a crowdsourced book) 

Journalism:The New Dark Side

 

Journalists.

 

God you’re all weird.

 

In Grey Lynn. With your technology allergies (urgh an iPhone—eeew don’t touch it, you might catch “capitalism”). Trying to be cultured and whinging on about the ‘dark side’ till you lose your job at an evil global media company, (Fairfax ain’t no home-based cottage industry sweetheart), and turn up in my inbox grizzling for a job and claiming to be a Yoda at corporate communications. Yes I'm the corporate sellout. 

 

It seems the new sniffy offence to be caused to the superior breed of press release regurgitating beings is me having a blog. Me! A blog! Can you believe it?!

 

“What do you [airquotes] BLOG about?”

 

“Who reads your [airquotes] BLOG?

 

[sniff sniff.. drink more free wine].

 

It seems that my failure to have written the “Thanks a Bunch!” column for the Franklin County News disqualifies me from such endeavours.

 

Upon pointing out to the Grey Lynn journotards that perhaps they should try it because you get a chance to say words like 'arsehat' and oh, it may even help you to build a profile as a journalist and get more work opportunities so you can buy some more art deco crap for when you move to Point Chev as part of the great seven-year journalist migration—they looked confused (“you know like Jeremy Clarkson, own column etc” …blink.. blink.. confused).

 

It was the same confused look that I got from a TVNZ superior media-being when I said that I watched Maori Television (“You watch what? Do you work for them?”..blink.. blink.. confused).

 

 

Perhaps with all the ‘culture’ and organic free-range soy duckfat Westmere butchery troughing and pretending to live in a quaint European village you don’t have time to put your head up and care about stuff like the total imminent destruction of your industry and a little thing called “media fragmentation” . And if the iPhone is the root of all evil, then TiVo is his cousin and you certainly don’t want to think about what that may mean to you (“golly Kathryn Wilson makes some nice shoes…oooo yes she does!”). Much better to save the environment and stay in the dark and talk about shoes.

 

 

So while you journotards continue to write gripping stories like this in our national print media:

 

"Dozens of residents in Auckland's Grey Lynn had murky water running out of their taps last night".

 

 

(Oh God no! Was the Smeg front loader alright?)

 

I will continue to blog, about nothing, to myself.

 

If that’s OK with you?

 

Preparing Key Messages for SpaceWalking Astronauts

 

Houston- we have a problem. Prepare for key messages.

At first rumblings that there’s a media issue on the horizon, Houston communications cranks out four pages of key messages

 It’s horribly inefficient and more importantly, ineffective. Especially when most communications Houstons don’t write key messages, they write laundry lists of facts. I was asked to sign off on one of these laundry lists this morning developed by a junior Houston.

She is a very good Houston, but had got into the habit of cranking out four-page lists to keep up appearances for the Astronauts. I had to remind her that key messages are:

1. For internal use only
2. For use by company approved Astronauts or Houstons only i.e. people that have an understanding of the issue already   to act as media spokespeople 
3. For communicating an established organisational, strategic position

 For example:

"We aim to find water on Mars by 2040"

Is a fact

 "I think humans will reach Mars, and I would like to see it happen in my lifetime". Buzz Aldrin

Is a key message (that’s why it gets quoted-that’s what you want).

Three of four maximum. Not pages, messages.

If the astronauts are out spacewalking, they don’t have time to read four-page documents when Oprah rings for a chat. Keep it simple, understand the issues, and make sure you nail the biggies on the media call.

"I believe that every human has a finite number of heartbeats. I don't intend to waste any of mine running around doing exercises." Neil Armstrong. You and me both Neil.

'Entergagement' For Dummies

http://cjlambertlive.blogspot.com/2009/07/entergagement-for-dummies.html